face

Leder i Sámi Teáhter Searvi og for anledningen konferansier under den samiske festivalen i New York, Ada Einmo Jürgensen, var på forkant usikker på hvor populær de samiske mai-arrangementene på Manhattan ville bli.

- Vi var veldig spent på ikke minst publikum og oppmøtet. Det er mye som skjer i New York. Men det har vært over all forventning. Vi har hatt to forestillinger, og mange kom tilbake den andre dagen for å få med seg siste halvdel. Det har vært mange hyggelige tilbakemeldinger, gode samtaler og stor interesse for det vi gjør og hvem vi er. 

Bygger nettverk

- Vi virker å ha truffet et velutvalgt publikum gjennom Scandinavia House, og samtidig hadde vi invitert nøkkelpersoner som vi tror kan åpne dører i framtiden. Det virker som de fleste her har kunnskaper om urfolksspørsmål, og dette er jo også noe som er høyaktuelt i USA.

- Er det behov for å få samisk scenekunst mer ut i verden?

- Absolutt. Selvfølgelig for publikums del - men også for vår egen del. Vi trenger tilbakemeldinger på samisk kultur og samiske  kunstformer utenfra. Det er inspirerende begge veier.

Også det offisielle Norge var representert gjennom konsulatet i New York.

- Jeg tror vi er i ferd med å utvikle viktige nettverk. Vi har allerede mottatt flere spennende invitasjoner her i New York, sier Jürgensen.

Vil få samisk kunst mer ut

Prosjektleder Sara Margrethe Oskal deltok selv med joik, humor og film. Nå ønsker hun at Sámi Teáhter Searvi satser videre på utlandet.

- Jeg håper at dette blir kimen til noe større for samisk kunst. Jeg synes det er viktig å løfte den frie samiske scenekunstneren, sier hun og antyder at spennende ting er i gjære.

Harriet Nordlund håper på en bølge av nye aktører.

- Jeg er glad for å se de yngre samiske scenekunstnerne i aksjon. Det er et under at jeg har kunnet være frilanser fra jeg var 17 år til i dag. Det er en annen tid og en tilspisset konkurranse. Nyutdannede samiske talenter må komme seg på scenen fort, og det må være mulig for dem å bli der, sier Harriet Nordlund, tidligere teatersjef ved Beaivváš Sámi Teahter i Kautokeino.

Årets festival på Scandinavia House har blitt til ved hjelp av støtte fra Sametinget, Samerådet og Dáiddafoanda.

Foto av Marte Fjellheim Sarre: Kenneth Hætta

sarakka

Sarakka Gaup bergtok det amerikanske publikumet med sin gripende historie om da hennes avdøde far Ailo Gaup måtte vokse opp langt borte fra sin samiske kultur.

- Jeg ville hedre pappa, sier Sarakka Gaup.

De samiske scenekunstnerne vil ha en bit av «The Big Apple». Denne uken har New York fått flere oppvisninger i samisk kultur på en festival som ble arrangert på det nordiske kulturhuset i USA, Scandinavia House, i samarbeid med Sámi Teáhter Searvi, den samiske teaterforeningen.

Med fjorten ulike samiske kunstnere på scenen er dette antakeligvis den største markeringen av samisk kunst noen gang utenfor samiske områder. Festivalen har også som formål å bidra til å opplyse om samiske spørsmål, samisk kultur og samisk historie.

Sarakka Gaup, Ánne Mággá Wigelius, Ingá Márjá Sarre og Anitta Suikkari er blant navnene som inntok scenen i Park Avenue midt på Manhattan.

Vanskelig oppvekst

Som liten ble Ailo Gaup tatt bort fra sine foreldre, av Samemisjonen, som ville gi ham en kristen oppvekst langt borte fra samisk kultur. Som barn gjennomlevde han smerten hans folk ble påført utenfra, men som voksen viet han sitt liv til videreføring av samisk kulturarv. Slik beskrev venner ham etter hans bortgang.

Historien frilansskuespiller Sarakka Gaup framførte fra scenen på Scandinavian House i New York tirsdag førte til stor applaus.

- Jeg ville hedre min far som døde i august. Historien er veldig spesiell for meg, og jeg tror den også er viktig fra et samisk, skandinavisk og urfolksperspektiv. Det var fremmed å fortelle den på engelsk. Jeg tror publikum har behov for å høre en litt mørk historie fra Norge, og som kunne endt trist, men som heldigvis endte bra.

Jubler for sjeldent innslag

Lynn Carter, nestleder i den amerikansk-skandinaviske stiftelsen som eier Scandinavia House, jubler for den samiske festivalen i verdensmetropolen.

- Vi på Scandinavia House presenterer Nordens kultur i sin bredde, og er spesielt stolt over at vi fikk muligheten til å by på disse to kveldene med en så stor variasjon innen samiske kulturuttrykk. Joik, historiefortelling, forelesninger og dans - det var et enestående program.  Vi har aldri hatt så mye forskjellig fra samisk kultur på én gang. Jeg har lært mye, sier hun.

- Noen av publikummerne som er besøkt festivalen er historiefortellere i New York. Vi jobber med «storytellere» gjennom en egen satsning, og vi visste at de ville finne dette interessant.

Hun gleder seg over muligheten til å samarbeide videre med Sámi Teáhter Searvi i framtiden.

Foto: Kenneth Hætta

nyhilde

Sámi Teáhter Searvi (STS) and Scandinavia House join together for a two-day festival to celebrate Sámi culture and address topical political and social issues expressed through theater and dance, storytelling, traditional joik, poetry, and films from leading Sámi artists.

PROGRAM

May 11, 6 – 8:30 pm

Lecture and Yoiks

Speaker Mary Sarre presents a lecture about yoik or traditional Sámi chanting.

Short Film: The Yoiking Hand/Juoigangiehta

Directed by Elle Sofe Henriksen (Norway, 2011). A short documentary and dance film by choreographer and filmmaker Elle Sofe Henriksen that provides brief insight into Sámi culture. The Yoiking Hand features the unrehearsed movements of three traditional Sámi yoikers and their thoughts about why the hand moves in a certain way while yoiking. 
5 min. | In Sámi with English subtitles.

Poetry and Visual Art Performance: Terrain

A 15-piece collection of collages, paintings, photographs, and poetry from writer/artist Hilde Skancke Pedersen. Existentialism as interpreted through human surroundings and situations provide the running theme of Pedersen’s work.

Monologue: Ii dát leat dat eana

Directed by Harriet Nordlund and based on the Sámi writer Inga Rawdna Eira’s poem, Ii dát leat dat eana – performed by actress Anitta Suikkari – is as a provocative cry for help and awakening to save Mother Earth. Audiences meet the Sámi Goddess Uksáhka who descends to Earth and consequently suffers a global “hangover.”

Humoristic Storytelling: Biiga – the Madie

Directed by Thea Stable and performed by writer and actress Sara Margrethe Oskal, Biiga - the Madie is based on storytelling and yoiks about a girl of a marrying age, but who doesn't want to follow the rules of proper Sámi girls.Biiga is also part of the award-winning show The Whole Caboodle.

Short Film: The Wind Whispers There Is Someone Behind the Tundra/Biegga savkala duoddariid duohken lea soames

Directed by Ken Are Bongo & Elle Sofe Henriksen (Norway, 2006). As dancers travel through time and space, enjoying the wonders of the sky, they find different objects that connect them to their Sámi ancestors and reveal a belief in the powers of nature. Choreographed by Elle Sofe Henriksen/Johtti kompani, the silent film's impressionistic imagery is inspired by the poem Biegga savkala duoddariid duohken lea soames by award-winning Sámi poet Synnøve Persen.
10 min.

Storytelling & Guitar: The Daughter of the Sun

The Daughter of the Sun tells the story of the Sámi Creation myth, told by Harriet Nordlund, accompanied by guitarist Erik Steen.

 

May 12, 6 – 8:30 pm

Visual Performance: Small Wings are also Wings

Directed by Indra Lorentzen and performed by Ánne Mággá Wigelius, Small Wings are also Wings is about a surreal world where one embarks on a journey of moods – moods in dreams for the future, the realization of the truths of the past, and dreams of slumber.

Storytelling: A Story about Gufihttarat

Gufihttarat are a mythical people unseen by humans and live in the Saivo world – an inverse world beneath our feet. Only a few people have had the opportunity to meet them and one of them is performer Ingá Márjá Sarre's great-grandfather who fought one of the Gufihttarat and eventually became friends.

Storytelling and Poetry: When the Snow is Melting

Artist Sarakka Gaup recalls a dark evening when her grandmother felt old, restless, and fearful that the stories of her life would die with her. Through voice recordings, mixed with live stage performance and poetry, Gaup captures her grandmother recounting the stories of her youth, war, the reindeer herding life, and old Sámi myths.

Dance: Asking for Permission

Choreographer Elle Sofe Henriksen interviewed elderly Sámi people about movements and dance. The elders gave her vivid descriptions of movements that took place in living rooms and homes, by the fire, in weddings, and in spiritual settings.

Asking for permission is a Sámi tradition; humans should always ask for permission from the underworld and from spirits before settling to a new place. One can ask for permission when going to sleep someplace new, building a house, or perhaps performing in a new space.

Performed by Marte Fjellheim Sarre, this dance is our version of asking for permission from the three worlds – heaven, earth, and the underworld – and turning to the four corners of the universe. This dance is part of longer performance called Jorggahallan.

Poems, Yoik, and Photographs: Cradle of My Heart

The performance Cradle of My Heart is based on Sara Margrethe Oskal's Sámi poems, read in both Sámi and English. Describing human fragility, these poems illustrate the difficulties one faces to fully be oneself, touching upon the human tendencies towards irrational, subtle, and incomprehensible inner worlds. The accompanying photographs by Matyas Le Brun provide an outside perspective from the Sámi culture and way of thinking.

Short Film: Sámi Bojá

Directed by Elle Sofe Henriksen (Norway, 2015). Sámi Bojá is about Mikkel, a reindeer herder who has the entire responsibility for his family's herd. He has a tough shell like a Sámi bojá should have, but internally, there is chaos.
9 min. In Sámi with English subtitles.

Short Film: Aurora Keeps an Eye on You/Guovssahas oaidná du

Directed by Sara Margrethe Oskal (Norway, 2014). Aurora Keeps an Eye on You is a brutal and beautiful children's drama, mixed with Arctic magic. The film takes audiences into the world of the tangled and hurt mind of a big sister while also showing what consequences parental ignorance in a hectic everyday life can have for little brothers.
11 min. In Sámi with English subtitles.

Poetry: Hey Mister President

Hey Mister President is a poem cut from a collection and a longer poem written by the Sámi poet Nils Aslak Valkeapää. These written words – performed by Anitta Suikkari – are a protest camouflaged in a welcome speech that reminds listeners of the exploitation of land – and the rights of indigenous peoples.

 

About Sámi Teáhter Searvi and the presenting artists

Sámi Teámi Searvi (STS) is an association dedicated to uniting and supporting Sámis working within theater and performing arts and provides several funds and scholarships. STS is also member of the Sámi Artists Council, working alongside the Sámi Parliament in Norway to agree on the financial framework for associations, funds, scholarships, and other incentives that are in the best interest of Sámi artists.

STS Members – including actors, dancers, choreographers, playwrights, scenographers, costume designers, theater musicians, technicians, and directors, among others – become part of a network in the field of performing arts among the Sámi people and other indigenous peoples and are invited to take part in decision-making and influencing cultural politics and financial conditions for Sámis working within theater and performing arts.

Sarakka Gaup is from the Sámi village Guovdageaidnui (also known as Kautokeino) in Norway. She works with theater and Sámi culture as a stage performer. Gaup is the recipient of several art scholarships from the Norwegian Culture Council and the Sámi Parliament. She has also worked as an actress for the Sámi National Theatre – Beaivváš. Gaup is currently studying Sámi language and literature.

Elle Sofe Henriksen is from Guovdageaidnui, Norway. Henriksen works with dance, choreography and films. She engages her work to impart Sámi expression to a wider audience through dance and film. Henriksen holds a Master's degree in Choreography from The Norwegian National Academy of the Arts and a Bachelor's degree in Dance from The Laban School in London. Her films and performances have been shown in China, Greenland, Russia, Canada, Hungary, Finland, and Sweden.

Ada Einmo Jürgensen is a choreographer and stage director and  served as the former theater manager and co-founder of the South  Sámi Theater for 20 years. She creates works of contemporary  dance and performances, fusing traditional Sámi yoik, languages,  and other traditional expressions into contemporary/avant-garde  stage performances and outdoor theater. She is also the Holder of  the Norwegian Art Councils Grant for Dance Artist until her retirement and is the Chairman of Sámi Teáhter Searvi. Jürgensen is also the host of the festival at Scandinavia House.

Matyas Le Brun is a Breizh (a minority people from western France) film-maker, photographer, author, and translator. He has worked in feature films in France and abroad, writes poetry and novels, and directs movies and projects from an indigenous point of view. Le Brun also translates essays, poetry, and books in English, French and Brezhoneg (the Breizh people's Celtic-based, endangered language). He continues to contribute toward the development of his culture's artistic and literary field.

Harriet Nordlund is from Jokkmokk, Sweden. She is an actress, playwright, and director and has worked in theater and music since she was 17-years-old. Nordlund is currently directing a family performance of Faustand acting in the performance The Daughter of the Sun about the Sámi creation story.

Sara Margrethe Oskal is an actress, performance artist, writer, and filmmaker. She received her Doctoral degree in Performing Arts from the Oslo National Academy of the Arts. Oskal has performed in multiple theater and film projects and is also an established writer having written scripts for television and theater and published several books of poetry. She has also directed theater performances and recently released her first short film.

Hilde Skancke Pedersen works as a visual artist, set and costume designer, and a writer and playwright. In all these genres, she has been influenced by the mental and physical marks that human beings leave behind and the signs of life that can be found in barren regions. The Sámi National Theater has performed two of her plays. Pedersen's visual art can be viewed as the commissioned focal art-piece in the Sámi Parliament building in Karasjok, Norway.

Ingá Márjá Sarre is a television, film, and theater actress and a yoiker and storyteller from Guovdageaidnui, Norway. She holds a Bachelor's degree in Acting from Nord-Trøndelag University College and has also studied storytelling and yoik at the Sámi University College. Since 2000 Sarre has participated as an actress in several plays for Beaivváš – The Sámi National Theater.

Marte Fjellheim Sarre is from Karasjok, Norway and works as a freelance dancer based in Bergen. She has a Bachelor's degree in Dance and Teaching from the University of Stavanger. Sarre attended Yoik Movement – a symposium organized by The Sámi Theater Association, worked as a dancer in Jorggáhallan by Elle Sofe Henriksen, and has the leading role as Njuorju Niilá in the play of the same name at Beaivváš – The Sámi National Theater.

Mary Sarre is a Sámi stage and film actress and a singer/yoiker.

Hailing from Sweden, Erik Steen has worked as a composer and musician since 1980. Having worked with some of the most renowned flamenco artists from around the world, in 1989 Steen started his own company – Erik Steen Flamenco Fusion. The group has recently toured Croatia, Mexico, Holland, and Colombia. Steen was invited as a soloist at Suma Flamenca – the largest flamenco festival, held in Madrid, Spain.

Anitta Suikkari was born in Finland as a descendant of an evacuated family from southern Karelia, a town now belonging to Russia. As an actress and sometimes director, she works in various theaters, groups, and projects throughout Norway and Sweden. Suikkari has been nominated for the Norwegian Amanda Film Award and the Norwegian Huda Theatre Award for her acting and has performed in several award-winning productions. For the past 18 years, Suikkari's work has concentrated on Sámi issues and theater.

Ánne Mággá Wigelius is an actress that has previously worked at Beaivváš – The Sámi National Theater and is on a world tour with Philippe Genty's successful production Forget Me Not. She also works on her own creations in partnership with theater director Indra Lorentzen.

The festival is funded by Dáiddafoanda, Sámediggi Sametinget, STS Sámi Teáhter Searvi, Sámiráđđi, and Sámi Dáiddárráđđi – Saami Artist Council.

Picture: Hilde Skancke Pedersen © BONO 2015

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I anledning av Danmarks formannskap for Nordisk Ministerråd 2015 inviterte Kulturministeriet til konferanse i København om utviklingen av et konsept til fremtidige, fellesnordiske kultursatsninger.

Sámi Teáhter Searvi var invitert. Fra vår side ble det uthevet at vi som forening gjerne medvirker i nordiske samarbeid som del av en internasjonal satsning, ikke minst gjennom at våre medlemmer som snart skal feire samisk kunst i New York kan stå til disposisjon for oppdrag med samme materiale som del av en nordisk satsning.                  

Forfatter og journalist Michael Booth, som har skrevet guidebøker om Norden for Lonely Planet og Time Out, oppfordret i sitt innlegg aktørene i Norden til å satse mer på å vise fram det samiske som del av et "nordisk" varemerke, enten det gjelder litteratur, dans, musikk, mat, TV-serier, krim eller teater.

- Finanskrisen har ført til at Europa har slitt. Som følge av dette har kontinentet sett på andre måter å leve på, vi har søkt tilbake til det enkelte, i motsats til kapitalismens skyggesider. Norden står for en politisk og sosial middelvei, og samtidig en frisk estetikk.

Nå tror den britiske skribenten at tiden renner ut for "friskheten" i det nordiske "varemerket". Samisk kunst og kultur er blant det som kan utheves, sa han fra talerstolen i Nasjonalmuseet - og viste fram et bilde med et kart hvor Nordkalotten var adskilt fra resten av Norden og med en koftekledd same.

- Verden vil videre. Tiden renner ut. Flere detaljer i "den nordiske fortellingen" vil være styrken framover. Omfavn ulikheten og vis fram det samiske, sa han.

- Norden er et varemerke. Kanskje må vi være modigere til å styrke det ytterlige. Tiden er inne for å ta dette videre. Vi har en gylden mulighet. Det er økt interesse fra utlandet for den nordiske måten, velferd, verdier og sist, men ikke minst, kultur, sa Dagfinn Høybråten, generalsekretær i Nordisk ministerråd.

En bredt sammensatt arbeidsgruppe skal nå se på veien videre for fellesnordiske kultursatsninger.

Foto: Privat